Equus: Analysis Scenes 20 & 21

genus genus Equus scope 20 Introduction First we will iterate the characterization, after that we will analyze the following features. (we will be discussing film 20 first). Summary Dysart and Alan are in the office of Dysart, however they are pretending to be at the motionlesss. Dysart asks questions to Alan and Alan answers all of them. Alan tells ab knocked out(p) his religious rite in the stable. He does this ritual e genuinely time before he rides a clam. In this ritual he gives the horse sandals and the Chinkle-chankle. Later they go to the topographic point of Ha Ha, which is a big field Alan describes to be full of sully and covered with nettles.Setting The place is actually in Dysarts office and they pretend to be in the stable. This is at darkness or recent in the evening, which we cigarette know because Dysart says Dalton may still be wake and because Alan says he doesnt like it so late. In this destine he refers to he as Nugget the horse and it as the Chink le-chankle. The stable Alan dialog astir(predicate) is home to a couple of horses, including Nugget. P green goddess development This look was actually very predictable. During the former guess, so photograph 19, the events in tantrum 20 were foreshadowed.In scene 19 Dysart asked mevery questions to Alan about his rituals with the horses. In this scene Dysart goes on with questioning and asks Alan to do the rituals that he told Dysart about in the preceding(prenominal) scene. Alan accepted this and that is why they pretend to be at the stable. This scene builds up tension and again foreshadows what will happen in the next scene, because it has an kick in end. The next scene will probably be about the rituals overly image development Alan is different in this scene. In the previous scenes, he did non like to give answers to Dysarts questions.He wanted to ask him questions in return or he used tools much(prenominal) as the memorialise rec severalize. In this scene Alan a nswers all of Dysarts questions without being ashamed, without using tools and without performing games. Next to that, he seems to follow all of Dysarts instructions without all hesitation. He is not the only character who has developed. Dysart has also developed. In the previous scenes he was someone who did not like his job. He said that he did the job because he had to. In this scene, Dysart seems very interested and wants to know more about Alan.He still is careful with Alan, but he has to watch out because he could become too curious and make actions without thinking about them. newspapers The theme of this scene is religion, because Alan tells more about his god equus. He tells us about the rituals which he has to do in order to ride on Equus. Language The only striking about the language is that Alan uses the word Ha Ha to describe a place. Alan mysteriously tells Dysart Its his place of Ha Ha. Dysart does not ask for more information about this place, so we dont get to kn ow what happens there yet. symbolization The sandals in the scene are used as a symbol. He gives the sandals to the horse and he kisses them before he does that. There batch be two views however. atomic number 53 of them is religious. Alan gives Nugget the sandals. Alan is a boy who knows a round about the bible so he also knew that Jesus always wore sandals. In this way, Alan symbolizes Jesus. He sees the horse as Jesus. Therefore he gives the horse the sandals to wear, just like Jesus. The otherwise view however is simply to reduce the noise that the horse makes. It is night and Alan wants to do his rituals and ride on the horse.This will make a lot of noise. So in order to bar people from noticing this or prevent to wake them up, he gives sandals to the horse. Equus scene 21 Summary Alan and Dysart relocation on to the huge field. Alan goes on with his rituals. He completely undresses in antecedent of the horse. Next to that he gets his Manbit. It is a devoted stick on wh ich he bites. After that he touches the horse everywhere On its belly, ribs, flank, eyes etc. After that Alan offers Nugget some sugar, in order to take his sins away. Then he mounts the horse and he says that it hurts because of little knives in his skin.Alan calls himself The king and says that only he can ride Equus, the mightiest of horses. The king (Alan) tramples all of his foes and after that he says Equus I love you and Make us one person . in the long run he drops of the horse to the ground and ends with Amen. Setting Alan and Dysart are still in the office of Dysart, however they are still pretending as if they werent. flat they pretend to have walked to the huge field. This huge field is full of mist. They went from the stable to the field so we can assume that it is still dark extracurricular.We can also assume that it is night because Alan told us in the previous scenes that he does his rituals during the night. It probably is not very cold, otherwise Alan would hav e had difficulties to stay outside without his clothes. There is also a gate and a tree in the field. We know this because Alan mentioned it. Plot development This scene is in chronological order with the previous scene. So it was predictable that Alan would go on with his ritual. But the ritual itself was very surprising. It turned from a simple ritual to a very extreme one.We can see that some of these rituals come from Christianity. Alan bows for his god Equus and he talks about sins. The tension from the previous scene gets to its completion where Alan has an intense moment riding Nugget. After that, the action drops significantly when Alan says Amen. Character development Alan was already excited during the previous scene, but we have not seen him this excited yet. There is no sign left of the shame that Alan had previously. He reveals everything. In the previous scene he just demonstrated a part of his rituals, but now he has shown the extremes of his ritual.He stands firmly behind his thoughts and he shows his love towards his god, Equus. It seems as if he has turned into a radical believer of his own religion. Dysart is still very curious and does not show any signs of feeling weird. He acts as if everything is normal, as if he is a pincer wanting to know more about football. From all the sentences that Dysart says, only 2 do not end with a question mark. This shows that Dysart is very curious. Theme The themes of scene 21 are religion and normality. In this scene we assure a lot about the rituals and the religion of Alan.That is why one of the themes is religion. The rituals can be seen as weird. It challenges our sense of what is normal and what is not. With the help of this scene the writer wants to standardize our view on the strange. That is why the second theme of scene 21 is normality. Language Alans use of the language is very striking. He does not use colloquialism. Instead he uses very holy and sacred words. He has created a lot of names for his religion. When Dysart asks him about who his enemies are, Alan gives a lot of new names. He tells us that he is the king and therefore he talks like a king.He also uses heroic language such as Equus the Mighty rose against all and His enemies scatter, his enemies fall . Symbolism The sugar that Alan gives to the horse is a symbol that is linked to Christianity. By openhanded the sugar, he offers up his sins to Equus. So the sugar stands for sins. He says that this is his be supper, which refers to the last supper of Jesus. Conclusion Finally, we could say that scene 20 and 21 are preferably strange scenes. We discover what the real Alan is like and we get to understand him better. specially scene 21 seems to be a very important scene for the whole play,